How Leftover Vault Recordings Became the Rolling Stones’ ‘Tattoo You’
When the Rolling Stones needed a new record ahead of a massive 1981 American tour, time wasn’t on their side. Faced with a looming schedule and insufficient time to record an entirely fresh LP from scratch, the band turned to their vaults. The result was Tattoo You, an 11-track collection drawn from leftover recordings that spanned nearly a decade of the band’s history.
Released on August 24, 1981—just a month before hitting the road—the album is widely regarded as the Rolling Stones’ last great record. Despite its piecemeal construction across various sessions, personnel changes, and substance-heavy rocky periods in the 1970s, the finished product held together with a surprisingly tough and direct punch.
Mining the Vaults Across a Decade
The tracks that made up Tattoo You were pulled from sessions dating back to the early ’70s. Skeletal versions of “Tops” and “Waiting on a Friend” originated during the Goats Head Soup era and featured guitar work from Mick Taylor, who had departed the group in 1974. Another pair of songs, “Slave” and “Worried About You,” were left over from Black and Blue.
Three tracks stemmed from the Some Girls sessions—including major singles “Start Me Up” and “Hang Fire”—while the remaining four took shape during the making of Emotional Rescue. Mick Jagger added fresh vocals, jazz great Sonny Rollins contributed saxophone overdubs, and the disparate pieces were polished into a cohesive tracklist divided between hard and soft sides.
Charts, Tours, and the End of an Era
The gamble paid off entirely. Tattoo You continued the band’s streak of No. 1 albums, dominating the top of the chart for nine weeks to set a personal record. The accompanying tour filled stadiums across the U.S. in 1981 and Europe in 1982, breaking attendance records along the way.
Looking back, the album also signaled the closing chapter of a specific commercial peak. Tattoo You marked the final time the Rolling Stones clinched a No. 1 album, and “Start Me Up” stands as their last single to climb as high as No. 2. Subsequent studio output slowed down dramatically, making the vault-built masterpiece a high-water mark for the band’s later decades.
Related reading: Steve Harris Defends Iron Maiden’s No Prayer For The Dying
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