Tattoo You

Tattoo You is the sixteenth UK and eighteenth US studio album by the English rock band the Rolling Stones, released on 24 August 1981 by Rolling Stones Records. The album is mostly composed of studio outtakes recorded during the 1970s, and contains one of the band's best-known songs, "Start Me Up", which hit number two on the US Billboard singles charts.

A combination of touring obligations and personal feuding between band members made it difficult to arrange dedicated recording sessions for the band's follow-up to 1980's Emotional Rescue. As a result, the band's production team combed through unused recordings from prior sessions, some dating back almost a decade. While a few of the songs were used essentially as-is in their original form, most of these earlier recordings were not complete, consisting of song fragments requiring much work. Studio time was booked throughout 1980 and 1981 and band members came in when available to finish off the tracks.

The credited members of the Rolling Stones for the album were vocalist Mick Jagger, guitarists Keith Richards and Ronnie Wood, bassist Bill Wyman and drummer Charlie Watts while older tracks feature former Stones guitarist Mick Taylor ("Tops"), keyboardists Nicky Hopkins and Billy Preston, Black and Blue session guitarist Wayne Perkins ("Worried About You") and founding member Ian Stewart.

The album proved to be both a critical and commercial success upon release, reaching the top of the US Billboard 200. To date, it is the final Rolling Stones album to reach the top position of the US charts, concluding the band's string of eight consecutive number-one albums there, dating back to 1971's Sticky Fingers.

In 1989, it was ranked No. 34 on Rolling Stone magazine's list of the 100 greatest albums of the 1980s. In 2003, the album was ranked number 211 on Rolling Stone's list of the 500 Greatest Albums of All Time, then re-ranked number 213 in the 2012 revised list. Peter Corriston, who was responsible for the album cover's concept origination, art direction and design, won a Grammy Award in the category of Best Album Package.

A remastered 40th-anniversary edition of the album was released on 22 October 2021. It features nine previously unreleased tracks and a 1982 concert at Wembley Stadium.

Background

Tattoo You is an album primarily composed of outtakes from previous recording sessions, some dating back a decade, with new vocals and overdubs. The Rolling Stones put together this collection to have a new album to promote for their worldwide American Tour 1981/European Tour 1982 beginning that September. Keith Richards commented in 1993:

"The thing with Tattoo You wasn't that we'd stopped writing new stuff, it was a question of time. We'd agreed we were going to go out on the road and we wanted to tour behind a record. There was no time to make a whole new album and make the start of the tour."

Recording

The album's associate producer, Chris Kimsey, who had been associated with The Stones dating back to Sticky Fingers (1971) said, "Tattoo You really came about because Mick and Keith were going through a period of not getting on. There was a need to have an album out, and I told everyone I could make an album from what I knew was still there." He began sifting through the band's vaults: "I spent three months going through (the recording tapes from) like the last four, five albums finding stuff that had been either forgotten about or at the time rejected. And then I presented it to the band and I said, 'Hey, look guys, you've got all this great stuff sitting in the can and it's great material, do something with it.'"

Many of the songs consisted at this point of instrumental backing tracks for which vocals had not been recorded. Jagger said in a 1995 interview, "It wasn't all outtakes; some of it was old songs... I had to write lyrics and melodies. A lot of them didn't have anything, which is why they weren't used at the time – because they weren't complete. They were just bits, or they were from early takes". Despite the eclectic nature of the album, the Rolling Stones were able to divide Tattoo You into two distinct halves: a rock and roll side backed with one focusing on ballads.

The earliest songs used for Tattoo You are "Tops" and "Waiting on a Friend". The backing tracks for both songs were cut in late 1972 during the Goats Head Soup (1973) sessions with Mick Taylor and not Ronnie Wood. Taylor, who was not credited, later demanded and received a share of the album's royalties.

Dating from the Black and Blue sessions are the backing tracks for "Slave" and "Worried About You". They feature Billy Preston on keyboards and Ollie E. Brown on percussion. Wayne Perkins plays the lead guitar on "Worried About You".

Release and aftermath

"Start Me Up" was released in August 1981, just a week before Tattoo You, to a very strong response, reaching the top 10 in both the United States and UK, and number 1 in Australia. Widely considered one of the Stones' most infectious songs, it was enough to carry Tattoo You to No. 1 for nine weeks in the United States, while reaching No. 2 in the UK with solid sales. It has been certified 4× platinum in the United States alone. The critical reaction was positive, many feeling that Tattoo You was an improvement over Emotional Rescue and a high-quality release. "Waiting on a Friend" and "Hang Fire" became Top 20 US hits as well.

"Start Me Up" would prove to be The Rolling Stones' last single to reach as high as No. 2 in the US, while Tattoo You is their last American No. 1 album to date.

The album title was originally planned to be simply Tattoo. Jagger claims to this day that even he has no clue how the "You" became attached to the title. The title caused friction between Jagger and Richards, with Richards suspecting that Jagger had changed the title without seeking his input. The album cover for Tattoo You had concept origination, art direction and design by Peter Corriston and illustration by Christian Piper. The album cover won the Grammy Award in 1982 in the Best Album Package category. It was the first Grammy Award for the Rolling Stones.

There were several videos directed by Michael Lindsay-Hogg for this album including:

Critical reception and legacy

Reviews for Tattoo You were largely positive, proclaiming the album a return to form and ranking among the Rolling Stones' finest works. Debra Rae Cohen commented in Rolling Stone: "Just when we might finally have lost patience, the new record dances (not prances), rocks (not jives) onto the scene, and the Rolling Stones are back again, with a matter-of-fact acceptance of their continued existence – and eventual mortality …"